Essentials

I'm curious about the recommended reading lists attached to the 2 page origins in the back of 52.

What criteria was used to determine "essential storylines"? Are these the stories you have read to understand these characters? Are these the best stories told using the character? Or are they just what's been collected into trade paperbacks, recommending the individual issues only as a last resort?

Take last week's recommended reading for Batman, for example. It's hard to argue with Batman: Year One on that list. It's not only THE definitive origin for Batman for the last twenty years, it's also a hell of a good story. But The Bat-Man in The Batman Chronicles is hardly the same character written now, and Batman: The Greatest Stories Ever Told isn't one coherent storyline at all (though I guess the individual issues collected could be considered essential).

But the real standout on the list is The Dark Knight Returns. It's the only storyline recommended so far that is absolutely out of continuity, a story set in the dark alternate future of 1986. Reading that book will NOT get anyone not familiar with Batman up to speed with the character currently starring in Detective Comics.

And yet...

No book* in the last 20 years has had such an effect on how Batman is written as Dark Knight Returns. Batman as obsessive, as fanatical, violent, asshole-ish, all comes from Frank Miller's depiction of what Batman would be like when he's old enough to have a late life crisis. So while reading the book won't give you the history of Bruce Wayne, you DO kind of HAVE TO read it to understand the history of Batman as a character.

But then ANY book could be Essential, if it has a profound effect on a character. Watchmen is essential reading for all the Charlton characters running around the DCU, especially the Question, Blue Beetle, or Captain Atom (hmmm....). All Star Superman will almost certainly become essential. And Kingdom Come, for good or ill, is absolutely necessary to read to understand why the DCU looks the way it does.

I guess it's just further proof that saying this story changes everything and this one changes nothing means nothing, and that any story could be the one that really takes characters to somewhere new. So why worry whether it lines up with other depictions. It's all Hypertime anyhow...


*arguably, Dini and Timm's Batman: The Animated Series is an even bigger influence, but the recommended list seems limited to books.

Split the Atom!

Whoa. Hey there, Will Pfeifer. How's it going? Glad you liked the review.

As long as I have your here, would you mind if I ran a few things by you.

First, this is the second time that I got independent confirmation that my recommendation can be used to sell books. Will, would you mind passing that on to the DC publicity department? Maybe they have a review copy of an upcoming book lying around or something. I'm not saying anything... I'm just saying...

Second, I was wondering what happened to Captain Atom right after the end of the mini-series. There are four (4) different comics that purport to show the return of Captain Atom to the DCU, and they are all... different.

Superman / Batman #20 had a bald, amnesiac Captain Atom possessed by the Kryptonite Man. Infinite Crisis #7 had a confused Captain Atom replace a blowed-up Breach over Metropolis. Crisis Aftermath: The Battle for Bludhaven #5 had a comatose, damaged Captain Atom appear in Bludhaven. And your own Captain Atom: Armageddon #9 had a determined and hardened Captain Atom show up in the ruins of Bludhaven (which could be the same event as in CA: BfB, but not in S/B or IC).

Now normally, I'd just chalk it up to editorial error, and I usually hate turning an obvious mistake into a plot point, but the idea that Captain Atom really did return four (maybe three) different times, and there are now four (or three) different Captains Atom running around, one without hair, one with a Monarch suit, appeals to me, because it's arguably in character for Captain Atom, the walking atom bomb blast.

Because it means he fissioned.

Being shot out of the Wildstorm U split Captain Atom, and now there's lots of shiny, radioactive man-gods out there, ready to fight for justice and blow each other up. Maybe Breach, the Captain Atom of Earth-8, and a certain bald, blue, naked guy could join the fray, too. Just imagine: Crisis of Infinite Atoms. Captain Atom Red / Captain Atom Blue. Captain Atom: Clone Saga. Captain Atom: Attack of the Clones.

(huh, suddenly the idea sounds lots less appealling.)

Anyway, Will, just throwing that idea out there. Take it, leave it. That one's free.

Oh, and third, how does Captain Atom spit? Do energy beings in containment suits even have saliva glands? And is his spit radioactive as well?

Thursday Afternoon Recommendation

If the Question was one of the greatest beneficiaries of Hypertime, his Charlton cohort Captain Atom was one of its greater victims. While new versions layered interesting characteristics and interpretations onto Vic Sage, the same versions stripped whatever was interesting about Nathanial Adam away. DC already had a nuclear powered accident survivor by the time Captain Atom was introduced, as well as military men turned weapons of mass destruction, and soldiers from another era trapped in the present. And once it was clear how he wasn't like those people, he became defined by only one aspect, and, as Dave Campbell points out, it's not a very compelling one:

Captain Atom is a tool. Whenever writers need an asshole superhero, they get Captain Atom. He’s constantly trying to beat up other heroes on behalf of the federal government.

And that's basically it. His defining feature is that he's as powerful as Superman, but he obeys the authorities, and it's always the wrong choice to make. And since Captain Atom is also portrayed as honest and sincere, he comes across as insanely naive, if not a little mentally handicapped.

Which was why blasting him into the Wildstorm Universe in Will Pfeifer and Giuseppe Camuncoli Captain Atom: Armageddon (trade paperback on-sale this week) was so brilliant.


When the Justice League butts up against President Luthor, the reader knows the government is in the wrong and spends most of the time wondering what kind of stick is up Atom's ass that he can't see it too.

But when The Authority cuts a swath of destruction across the Washington Mall, leaving the charred corpses of thousands of terrorists and tourists in their wake, and the President is left wondering if there was anything he can actually do, well suddenly the idea of a gold skinned god who limits himself to the will of the electorate starts to sound pretty appealing.

Captain Atom: Armageddon is probably the best inter-company crossover I've ever read (which I know isn't saying much but...) because it actually contrasts the characters that meet, rather than the usual misunderstanding, fight and team-up model. The Wildstorm characters see the establishment asshole that Captain Atom is usually portrayed as. But from Captain Atom's point of view, he's trapped in a world ruled by amoral, hyper-violent superheroes who have terrified the populace into submission. There's no misunderstanding, they understand each other perfectly. That's why they fight.

The whole book could be read as a contrast between the morally rigid Marvel heroes of the 1960s (Steve Ditko was one of Captain Atom's co-creators) and the violent, morally ambiguous Image heroes of the 1990s, a pastiche Armageddon rings an almost literal death knell for. Having moved through the awkward adolescent rebellion phase of WildC.A.T.S. and the "I'm at college so I must be right about everything" false maturity of The Authority, a real adult, a crotchety old survivor of a forgotten era, has come to tell them that they are getting it wrong, and the world is in danger because of it.

And Captain Atom plays an interesting Ghost of Christmas Future. Like Mr. Majestic, he's a popular hero from a comics company bought by DC Comics. But while Mr. Majestic can still headline his own series (er, sort of), the Captain has been reduced to C or D-list status. His very presence screams "You may be a big shot in your own world now, but someday you're going to be a background cameo in Infinite Crisis on Infinite Earths. One day, I was like you. One day, you will be like me."

It suggests a model for future Captain Atom stories that could be interesting, the law abiding superhero in a world where the law isn't respected much, a walking conscience with the firepower to back it up. The Boys of the Wildstorm Universe proper, if you will.

'Course, he's not in the Wildstorm Universe anymore, and in the DCU our sympathy will always be with Superman and Wonder Woman over the man in the shiny skin, so either he should go back (if only to make some more time with the Engineer) or he should get some new "heroes" to play with.

Play up some of the aspects of his Watchmen analogue, Dr. Manhattan, his disconnect from humanity due to his powers, and how that hurts him, rather than coldly interests him as it does his blue-bald twin. Add in a supporting cast of government employees who work with him and aid him. Some he can talk to, rescue, be rescued by. Maybe one or two villainous, or at least venal, bureaucrats, so the whole thing doesn't read like government propaganda. An anarchic villain or two who maybe have an actually good cause but poor methods.

There's a really good character there. Pfeifer and Camuncoli found him. And the gauntlet is thrown for the next writer to make him great.

Or you could just keep writing the unlikable establishment tool with the stick up his ass. If that's your thing.

Superheroes and Politics

I think superheroes should be more openly political.



Like my man GA Superman did, I want them to deal with real issues and nitty gritty problems, using fantastic powers and extra-legal means to achieve real ends.

Now, this doesn't mean I want them to have my politics. I don't need to be flattered by having Green Arrow be right all the time. I love issues where Captain Atom's conservative, pro-government stance is the correct one, or The Question's terrifying Objectivist libertarianism sounds almost convincing.

And I don't want them talking politics all the time. I came to see them hit stuff. But instead of alien slave masters, how about smacking around a sweatshop owner, or a drug dealer.

I want to see them dealing with "real world issues" is because they seem oddly detatched otherwise, particularly modern Clark Kent. The guy works for a major metropolitan newspaper and his wife is a feminist icon, in the real world and the fictional one. So the fact that he doesn't seem to have a political philosophy, let alone belong to a political party, strikes me as rather naïve.

Couldn't Batman do more to bring down the crime rate as Billionaire Bruce Wayne than a phantom of the night? And Wonder Woman's supposed to be an ambassador who seems to have no interest in international relations.

The big punch outs against mad gods and sinister secret societies are fun, and they should remain the focus of the plots. But the characters should, at least in their off time, have some interaction with the problems of the real world. Otherwise they really do look like children fighting amongst themselves while the grown-ups do all the work.