Thursday Afternoon Recommendation

If the Question was one of the greatest beneficiaries of Hypertime, his Charlton cohort Captain Atom was one of its greater victims. While new versions layered interesting characteristics and interpretations onto Vic Sage, the same versions stripped whatever was interesting about Nathanial Adam away. DC already had a nuclear powered accident survivor by the time Captain Atom was introduced, as well as military men turned weapons of mass destruction, and soldiers from another era trapped in the present. And once it was clear how he wasn't like those people, he became defined by only one aspect, and, as Dave Campbell points out, it's not a very compelling one:

Captain Atom is a tool. Whenever writers need an asshole superhero, they get Captain Atom. He’s constantly trying to beat up other heroes on behalf of the federal government.

And that's basically it. His defining feature is that he's as powerful as Superman, but he obeys the authorities, and it's always the wrong choice to make. And since Captain Atom is also portrayed as honest and sincere, he comes across as insanely naive, if not a little mentally handicapped.

Which was why blasting him into the Wildstorm Universe in Will Pfeifer and Giuseppe Camuncoli Captain Atom: Armageddon (trade paperback on-sale this week) was so brilliant.


When the Justice League butts up against President Luthor, the reader knows the government is in the wrong and spends most of the time wondering what kind of stick is up Atom's ass that he can't see it too.

But when The Authority cuts a swath of destruction across the Washington Mall, leaving the charred corpses of thousands of terrorists and tourists in their wake, and the President is left wondering if there was anything he can actually do, well suddenly the idea of a gold skinned god who limits himself to the will of the electorate starts to sound pretty appealing.

Captain Atom: Armageddon is probably the best inter-company crossover I've ever read (which I know isn't saying much but...) because it actually contrasts the characters that meet, rather than the usual misunderstanding, fight and team-up model. The Wildstorm characters see the establishment asshole that Captain Atom is usually portrayed as. But from Captain Atom's point of view, he's trapped in a world ruled by amoral, hyper-violent superheroes who have terrified the populace into submission. There's no misunderstanding, they understand each other perfectly. That's why they fight.

The whole book could be read as a contrast between the morally rigid Marvel heroes of the 1960s (Steve Ditko was one of Captain Atom's co-creators) and the violent, morally ambiguous Image heroes of the 1990s, a pastiche Armageddon rings an almost literal death knell for. Having moved through the awkward adolescent rebellion phase of WildC.A.T.S. and the "I'm at college so I must be right about everything" false maturity of The Authority, a real adult, a crotchety old survivor of a forgotten era, has come to tell them that they are getting it wrong, and the world is in danger because of it.

And Captain Atom plays an interesting Ghost of Christmas Future. Like Mr. Majestic, he's a popular hero from a comics company bought by DC Comics. But while Mr. Majestic can still headline his own series (er, sort of), the Captain has been reduced to C or D-list status. His very presence screams "You may be a big shot in your own world now, but someday you're going to be a background cameo in Infinite Crisis on Infinite Earths. One day, I was like you. One day, you will be like me."

It suggests a model for future Captain Atom stories that could be interesting, the law abiding superhero in a world where the law isn't respected much, a walking conscience with the firepower to back it up. The Boys of the Wildstorm Universe proper, if you will.

'Course, he's not in the Wildstorm Universe anymore, and in the DCU our sympathy will always be with Superman and Wonder Woman over the man in the shiny skin, so either he should go back (if only to make some more time with the Engineer) or he should get some new "heroes" to play with.

Play up some of the aspects of his Watchmen analogue, Dr. Manhattan, his disconnect from humanity due to his powers, and how that hurts him, rather than coldly interests him as it does his blue-bald twin. Add in a supporting cast of government employees who work with him and aid him. Some he can talk to, rescue, be rescued by. Maybe one or two villainous, or at least venal, bureaucrats, so the whole thing doesn't read like government propaganda. An anarchic villain or two who maybe have an actually good cause but poor methods.

There's a really good character there. Pfeifer and Camuncoli found him. And the gauntlet is thrown for the next writer to make him great.

Or you could just keep writing the unlikable establishment tool with the stick up his ass. If that's your thing.

Startling Discovery!

Spider-Man

The Thing

Actually the same character!

Hard luck hero whose sense of responsibility is far greater than even the great power he received in a radiation accident: an accident that on the one hand gave him the power to challenge gods and on the other turned him into a freak feared and shunned by the rest of society.

Orphaned as a child and raised in the outer boroughs of New York by his kind but poor Aunt and Uncle, he grew up to with surprisingly low self-esteem, given to DEEP self-pitying at the smallest set back, but hides his morose-ness behind a cavalier attitude towards the cosmic weirdness that surrounds him and witty banter with even his most deadly foes.

That pretty much sums up both characters there, doesn't it?

But they look different, you might say! Spider-Man is... and while the Thing is made of.... True! But the way they vary in design are precisely the ways they mirror the artists who designed them!

The Thing is stocky, strong, pugnacious and (originally) short... like Jack Kirby!



Spider-Man is lean, intellectual, and (originally) be-speckled... like Steve Ditko!



Which I guess just goes to show: writing yourself as the super-hero of your own story?

Not a new thing.

Question Time

To me, one of the greatest beneficiaries of Hypertime has got to be be The Question.

While everybody has a different favorite part of 52, everybody seems to agree that The Question is awesome. Whether he's mentoring Montoya with koans, rifling through barely organized files in his rusted out old van, cracking a Gauntlet joke, or casually breaking the fourth wall, everything he's done so far has been HIGHLY amusing. And that's not even getting into the kung fu.

But who IS The Question? Or rather, which Question is that? Is he Steve Ditko's Objectivist crusader? Denny O'Neil's "Zen Master of Crime Fighting"? Bruce Timm's paranoid conspiracy theorist? Even Rick Veitch's urban shaman?

And thanks to the wonders of Hypertime, the answer is "All of them." The Question is "comics' only Zen Objectivist conspiracy theorist." From wildly different authors' visions of who The Question is, we get some basic truths about him from where his different philosophies overlap. There's a fundamental belief that perceived reality and objective reality are very different, that our flawed faculties cannot passively understand the world and that truth must be actively sought by asking the right questions.

In short, "Things are never as they seem."*

So basically, any writer going forward, as long as he keeps that core, can go forth and write a great Question story, picking and choosing from all the earlier versions across time and media the parts he likes, jettisoning that which doesn't, and adding something of his own. Add in a bit of Mr. A. and Rorschach, The Question's creative doppelgängers, and one of the greatest character designs in comics, mix well, and you've got the character of the year.


*Of course, the philosophies diverge as to why reality can't be seen, whether it's because humans aren't rational enough, or whether they are too caught up in themselves, or whether They are hiding the truth from the world.