I Should Let This Go

Especially since the trolls have come out to play, but one or two things caught my attention about the Heroes for Hire cover.

The first is that some people seem to forget that a comic book cover is the first, last, and best advertisement for the comic within, especially for new readers. As such, the image that appears on the cover not only communicates what happens in a given story but also why a reader would want to read it. Which is why this cover is much more objectionable than a similar image would be if it appeared only within the book. Within the book, the image would suggest that a rape, horrible and cruel, might occur. As a cover, the image communicates that raped superheroines are something attractive to see, and that the value of female superheroes is entirely their sexuality.

Secondly was something I saw in the Beat:

Heroes for Hire... these sales are little short of atrocious.

This raises, in passing, the controversial topic of the cover for issue #13. There seems to a common assumption, both among publishers and among their detractors, that T&A sells comics. I wonder whether that’s really true. HEROES FOR HIRE has been distinguished by prominent cheesecake art from day one, and just look at its sales. The bad girl genre is virtually dead. MIGHTY AVENGERS, with Frank Cho’s art, is doing no better than NEW AVENGERS with Leinil Francis Yu - in fact, it’s actually the lowest selling of the three Avengers titles, although not by much. And when did you ever see Greg Horn’s covers on a high-selling title?

If this sort of thing is genuinely so popular, why doesn’t it sell better? Could it be that in fact, the audience for T&A comics (or at least comics which are quite so blatant about it) is actually quite small, and that chasing them is a waste of time on commercial grounds alone?

God, I hope so. I hope that treating female characters as more than just sex objects and saying that women can be heroes without needing to be wank material for men is also in line with better business practices.

And finally, I wanted to say kudos to Jason DeAngelis, President of Seven Seas publishing. Not specifically for canceling Nymphet per se, but for listening to the objections his fans and retailers had, re-examining the content he was planning on publishing, evaluating the audience he was planning on publishing to, and then taking full responsibility in an open letter. Things he did NOT do include deny that there was anything objectionable at all, hide behind the female creator of the sexist art, or explain that what we would find offensive in America is perfectly acceptable in Japan, as some other editor in chief did.

Catching Up

Sorry about that. I didn't actually intend to leave pseudo-pseudapod porn up for a week, but I left for my sister's wedding this weekend and found blogging in California surprisingly difficult.

So what did I miss?

Okay, so no one was exactly surprised that Joe Quesada's defense of the indefensible Heroes for Hire cover was a one-two punch of denial: "I don't see any rape here, so clearly there can be no rape here" and "A woman drew this picture, so how could it possibly be sexist?" As everyone else has pointed out, it doesn't matter how art is intended, it matters how art is read, and enough people have read that image as rape that Marvel needs to address the issue with something more that a "You're wrong! Now shut up and go away!"

Also, the defense that the objectifying aspect of the cover is necessitated by the plot falls apart fairly quickly once Lea Henandez demonstrates that, with relatively minor alterations (more assertive facial expressions, zip up Colleen's suit, remove the slime on Black Cat's breast), the Heroes for Hire can be tied up and menaced by slimy tentacles and still be portrayed as the "strong, lead female protagonists who kick major ass" Quesada seems to think we've forgotten they are.

It would be nice if Marvel actually made similar adjustments to the cover. They are not completely insensitive to cries of questionable content. When retailers objected to surprise Spider-Dingus in Spider-Man: Reign, Marvel took returns and offered a less objectionable variant edition. Perhaps if enough retailers, like Mike Sterling, explain to Diamond Distributors and Marvel that they'd be more comfortable stocking a less, um, rape-y cover, Marvel would actually take the time they have to produce a cover that won't actively offend a large portion of the comics reading audience.

Or am I pipe dreaming, because selling the rape of super-heroines isn't nearly as offensive to the average fan as a small sketch of a penis in a "Mature Readers" book?

On to other, happier matter:

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I've been thinking for awhile that, now that the Vertigo imprint's biggest titles are no longer tied even tangentially to the DC Universe, it's time for the DC characters who helped launch the major mature comics publisher to "come home," especially Swamp Thing. It's just a shame Chris posted about it first.

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Shane Bailey might be too modest to link to it in Blog@Newsarama, but his ode to the Hulk demands linkage and response.

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Yes, I'm just as happy as everyone else that Supergirl is going to be written and drawn as a teen girl and not a tarted-up nymphet wearing a frilly belt, half a shirt, and no internal organs. Now comes the hard part: assuming the book's any good, you have to buy and get other people to buy the portrayal of Supergirl that we as a comics community demanded. If the sales tank, DC's marketing is going to learn the wrong lesson, and we'll see a lot less Birds of Prey and a lot more, well, Heroes for Hire.

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Speaking of Nymphet... you know what? I'd rather not. Someone else can handle this one.

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and finally:



Someone celebrated an anniversary! (image by Kevin)

Why the Cover for Heroes for Hire #13 is Wrong

I find it hard to believe that people actually don't understand what's wrong with this cover:

Those are our Heroes (for Hire) being threatened with rape on the cover.

The selling point of this comic is that you might see one of these busty women raped. By a tentacled beast. That's just repulsive.

If you don't object to this cover because you don't recognize it as rape, you're either blind or in denial. I mean, look at it. Red-eyed voyeurs watch while grotesque phalluses strip Colleen Wing on the right and drip white slime on Black Cat's exposed cleavage on the left. The image could not be more explicitly sexual and threatening while still being displayed with Amazing Spider-Man.

Maybe you do recognize it as rape, but say, "so what? There's racks and racks of tentacle porn manga being sold. Why is this cover wrong?" Because this isn't a porn comic! It's a superhero adventure comic, and the image doesn't even match the solicitation copy. Which means it's just false advertising, playing on the worst desires of fan boys.

These aren't La Blue Girl, who exists to be tentacle raped. These are supposedly superheroes, people who protect others from rape. To show them as potential victims, to make their (potential) rape a sales feature, denies them of their capability as heroes and their existence as developed characters, and makes them into sex toys, to be leered at.

You want to know how you know it's wrong? Because a cover like this would never grace a book about men. You just wouldn't see a cover where Danny Rand hangs naked from a chain while a tentacle wipes itself off on Luke Cage's bare chest.

I mean, take a look at these Marvel covers from last year (a few covers down, where Spencer Carnage presciently forecasts Marvel's turn to hentai). They all feature heroes being threatened by tentacles or snakes, but all of the men are fighting back! Are these women fighting back? No, of course not. They're passed out or frozen in terror or cowering in fear. And it doesn't help that Black Cat, the cowering woman, was recently revealed to be a rape survivor. I mean, that's just wrong.

Look, I'm not one who says rape flat out doesn't belong in superhero stories. I actually enjoyed Identity Crisis and the "Trial of Starfox" arc in She-Hulk. But I do feel it's a very emotional issue and should be used sparingly and carefully and most importantly, should never be a sales feature unless your comic actually is porn.